Meatyard was first a photography hobbyist, he first purchased a camera so he could take photos of his son. Eventually he began attending photo workshops and even had his own makeshift darkroom where he processed photos in his spare time. He is known for his original yet slightly disturbing work. Meatyard challenged some of the social norms of photography by using unconventional subjects, soft focusing, intentional camera shake blur and other things. He worked mostly with black and white photographs. His images showed a lot of contrast while also working with slower shutter speeds to blur motion. Many of his photos feature his subjects wearing masks or holding old dolls. He often placed his models, ordinary people, in backyards or abandoned buildings. He worked with a wide range of lighting anywhere from direct sunlight, diffused lighting, and some studio work. I think his most interesting work is when he intentionally chose to blur some motion. I have seen a photo he took of a child waiving their arms. It was a simple beautiful demonstration of motion. Many times when he uses a slow shutter speed to blur movement it creates even more of an eerie feel to his photos. Overall his work has inspired me to experiment using slow shutter speeds in more portraits and not just sports or panning photos.
Garry Winogrand:


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